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Visual Arts

Empathy through Creativity

Where Quaker values meet creative spirit, the Visual Arts at George School center empathy and creative expression. Whether students are wielding paintbrushes or pixels, they're not just mastering techniques—they're diving deep into the human experience.

Student and teacher in painting and drawing student with teacher giving direction to the student

Ceramics and Sculpture

Student building a structure out of clay.

 

Graphic Design

Student working on a graphic design project in Adobe Illustrator with another student

 

Painting and Drawing

Student painting at an easel

 

Photography

Student presenting her photography work at a student art show

 

Woodworking

Student sanding a piece of wood during woodworking class.

 

Performing Arts

Student dances in Dance Eclectic, a yearly dance performance.

 

Create With Us

ARV168A: AP Art History / ARV160A: Art History

The class exposes students to visual art history and provides an opportunity to delve into meaningful research. The course is organized into historical units from prehistoric times to the present. Skills taught include visual analysis, contextual analysis, comparison of artwork, artistic traditions, attribution of unknown work, “visual” art historical interpretations and challenges, and argumentation.

Read More about ARV168A: AP Art History / ARV160A: Art History
ARV170C: Creative Transformation

In this class, students unearth the world of artistic innovation while exploring the principles of "Reduce, Reuse, and Recycle." Through the mediums of photography and painting and drawing, and with the laser cutter, assemblage, and encaustic photography, students delve into the art of transforming both used and new materials.

Read More about ARV170C: Creative Transformation
ARV210A: Ceramics

Developing a practical understanding of clay objects while taking an aesthetic approach to ceramics is the primary goal of this course. Students develop skills in centering clay, throwing on the potter’s wheel, trimming, and glazing. Other skills introduced are hand-building with slabs and coils, pinching clay pots, creating small-scale sculpture, and decorating with brushes and glaze pens. Each student’s work is exhibited with a critique at the end of each term.

Read More about ARV210A: Ceramics
ARV210D: Intermediate Ceramics

Students work to expand their knowledge of clay as an art medium and to improve the skills learned in Ceramics (ARV210A). Projects are more complex and require more time. Assignments might include covered pots, teapots, cups and saucers, plates, dinnerware sets and slab-built boxes.

Read More about ARV210D: Intermediate Ceramics
ARV210E: Advanced Ceramics

This course is designed to help students build on and perfect skills learned in previous courses, with an increased focus on artisanship, creativity, and design. Students employ a variety of slips, underglazes, and glazes, and increasingly sophisticated application techniques in creating both functional and sculptural works. In addition, students explore some ceramic art history and experiment with different firing techniques.

Read More about ARV210E: Advanced Ceramics
ARV210H: Senior Projects in Ceramics

In this course, students with extensive experience in the George School ceramics program work to develop a coherent body of independent work with periodic critiques to discuss progress, content, and process. In addition, they experiment with advanced techniques such as making small editions utilizing slip-casting in plaster molds and utilizing a 3D printer to print with clay slip.

Read More about ARV210H: Senior Projects in Ceramics
ARV230A: Materials and Methods of Sculpture

Sculpture students are introduced to materials and methods of working with three-dimensional forms, exploring the elements, principles, and aesthetic concepts integral to three-dimensional design, and to consider relationships between concept, process, materials, tools, and technical skills.

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ARV230D: Advanced Sculpture 1 / ARV230E: Advanced Sculpture 2

Advanced sculpture further develops skills in spatial relationships, utilizing different materials, and safe shop practices that were introduced in Materials and Methods of Sculpture (ARV230A). The application of these ideas is emphasized through collaborative work, site-specific installations, the understanding of the language of sculpture and documentation of process. A further exploration of three-dimensional form-making enables the student to develop artistic expression and a greater understanding of contemporary sculpture.

Read More about ARV230D: Advanced Sculpture 1 / ARV230E: Advanced Sculpture 2
ARV310A: Painting and Drawing

In this course, students build a foundation in basic painting and drawing. Various concepts, materials, and techniques involving painting and drawing are assigned and explored. Drawing is used as both a means of preparation and as an independent mode of expression. Students are also introduced to the fundamentals of painting.

Read More about ARV310A: Painting and Drawing

Mark Your Calendar!

Fall 2025 Gallery Talks & Receptions

Thursday, September 11

6:00-7:00 p.m.
Walton Gallery

Afia Dash

"Resist. Remember. Radiate."

Afia Y. Dash is an abstract and mixed media artist and designer whose vibrant, layered work pulses with the rhythm of a life well-traveled and deeply rooted. Born and raised in the Bronx, New York, Afia draws powerful inspiration from the graffiti-splashed walls and raw creative energy of her hometown. Her bold use of color and texture reflects a lifelong dialogue with the grit and grace of the city, as well as the ancestral echoes of her Caribbean heritage.

This show runs from 9/1 – 11/7.

Thursday, October 9

6:00-7:00 p.m.
MDA Café

Nene Aïssatou Diallo

"Sundays in Newark"

Nene Aïssatou Diallo (born in Guinea; lives between Newark, NJ and Brooklyn, NY) is an artist working across mediums. In her work, she resists legacies of erasure and grounds her practice in memories of home and the displacement inherent with migration. Her starting point is often her family photo albums, objects, and materials sourced and collected between Newark, Harlem, Brooklyn, Conakry, and Dakar.

This show runs from 9/1 – 11/7.

Thursday, December 4

6:00-7:00 p.m.
MDA Café

Brad Davis

"Camouflage in Color”

Bradford Davis is a multimedia artist who uses ceramics as a physical matrix to express emotional responses shaped by personal experience. A disabled veteran, Davis draws on his wartime trauma and ongoing healing journey to guide his creative research. By integrating fibers, metals, and other materials into ceramic vessels, he explores themes of destruction, restoration, and rebirth—often personifying the vessel itself as a metaphor for the body and spirit.

This show runs from 11/17-2/13.

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